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Routt National Forest Road #1 - Routt National Forest near Steamboat Springs

Image: JF - 0006

There are many wonderful side roads in the Routt National Forest near Steamboat Springs. I always check this one out in spring and fall when the aspens are leafing green and turning color respectively. This particular year the ferns had turned butterscotch in color at the same time some aspens were yellow while others remained green. Notice the yellows leaves decorating the road!

Purchasing Prints

All images in John's portfolio are available as limited edition, fine art photographic prints in sizes ranging from 11 x 14 inches to 4 x 10 feet and larger (Images made from John’s digital cameras have size limits which are indicated on the respective image page). All images found in John Fielder books are also available as prints. Fine Art Prints are ordered and purchased through his Denver gallery, not online. Please visit the gallery Tuesday-Saturday, 10 a.m.-6 p.m., call us at 303-744-7979, or Contact Us here.

Print Pricing

Fine Art Print Description and Pricing

With the exception of the black and white prints, each image is printed in a limited edition of 950, inclusive of all sizes. All prints bear the photographer's signature, and a hand-signed and numbered Certificate of Authenticity is provided. Any photograph can be printed in a variety of standard sizes (size may vary slightly depending on the format of the original transparency). The size, rather than the image, determines price. There are many other sizing options available to fit your wall space. Please contact the gallery for more information.

Light Jet Prints These archival photographic prints are printed by the Light Jet digital process on traditional photo paper, Fuji Crystal Archive, the finest and most fade-resistant photo paper available. Extremely high-resolution 300 megabyte digital scans of John Fielder's original transparencies produce greater clarity, better contrast, and more vibrant colors than traditional prints. The paper is exposed in the Light Jet printer with a red, green and blue laser from the digital information. Prices include mounting to durable 3/16” gatorboard. Lamination should be used in instances where glass will not be protecting your print. It is a satin, 3 mil thick polyester based material that is heat mounted directly to the print. It helps protect the photograph from things such as dust and fingerprints and also contains UV inhibitors. Lamination to be used with Light Jet prints only. Watercolor Giclée Prints With the Giclée process, we are able to reproduce John Fielder photographs on watercolor paper with stunning color and texture giving a painterly like quality to the prints. Watercolor prints can be mounted to a museum board substrate and have a ½" deckled edge. Canvas Giclée Prints With the Giclée process, we are also able to reproduce John Fielder photographs on canvas with beautiful color and a wonderful texture giving a painterly like quality to the prints. Canvas prints may be ordered with or without stretching. Black and White Prints John Fielder black and white photographs are printed by Lightjet on traditional photo paper or Giclée on watercolor paper and have excellent tonal range that gives the photograph amazing depth and clarity. The black and white photographs have limited editions of 250. Gallery Mount Collection: Gallery Mount Collection is an exciting alternative to traditional framing. John's Light Jet print is professionally mounted to a high density wood substrate. A special UV protective vinyl laminate is heat-pressed to the print. The wood edges are then beveled and trimmed with a finished edge in the following styles: Gallery Flat: 3/8" board with beveled edge Gallery Float: Image mounted on 1/4" board with beveled edge. A 1" box frame is mounted to the back and recessed 2" from the edge making the image "float". Gallery Box: Image is mounted on 1/4" board with beveled edge mounted to a 1" back frame giving a 1 1/4" finished edge all the way around. Gallery Stack Image is mounted on 1/4" board with beveled edge and then mounted to the front of a Gallery Box or Gallery Float, recessed in from the edge giving a finished border around the print.